arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due records have saved the day yet again by reissuing for the first time the west coast inspired funk full length le gamby - double oo too sweet from 1985, truly a rarity and another glimpse of the unheralded genius of lee moore. yet again, this rare lp is virtually a ghost, known only to the hardcore record collectors and boogie funk aficionados. now is the time!

second release from the promotional edits label la bestiole records. loony saxophone, frenetic tr beats and love advice: everything you need to make people dance together and love each other.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. lee s final project for the score label is a bonafide underground gospel burner. originally released in 1989 it s a perfect look into his transition from the rougher edged funk, disco & boogie of his earlier efforts and shows his smooth transition into a more celestial and blessed musical output. again this one’s a real rarity and past due have secured this high quality, legit reissue for the heads.

here is the debut release by italian duo r a d k o… their music is a blending of post/cold wave and shoegaze elements… both the songs and the production have a typical nostalgic feeling but are rather modern at the same time… instead of being overtly dark the sound and overall mood is much more melancholy and dreamy… for sure these two tracks make up for an impressive debut and addictive little 7&#8243,,,, record…

when beatsqueeze offered me the opportunity to release a 7” with them, i instantly thought i should make the most out of the many chinese samples i had saved for my chinoiseries project. this record includes many unused samples, drum breaks, sounds and other various samples on side a and side b is a proper dj-tool (skipproof) made to scratch with. make your own chinoiseries beat and then scratch on top of it, i thought that was a pretty cool idea!

lillygood party! is a label focused on licencing tracks that alex and stephane play for years at their parties. the aim is to re-edit and revisit those jams from soul to house , jazz to afro, boogie to techno and make us and people enjoy and smile on the dancefloor because those tunes are really really good both tracks here are classics dancefloors tunes, nothing rare, just favourite tunes that alex and stéphane play in their sets. on the a side the onwards international version is longer than the original and the arrangement quiet different for more intense dancefloor action. here they both worked on the edit to find the right balance and the right sound in order to revisit the uk classic jazz funk number, a firm favourite here lillygood! the b side is an amazing disco modern soul gospel track from elbernita twinkie clark already reissued some time ago but the cherry on the cake is that you have here a 12inch version extended and a new mastering for extra loud play this version is slightly different than the original, alex extended parts: the beginning with drum intro looped for mixing and changed the end to make it longer keeping the original flavour. please enjoy as much as we do because we love those edits, we love those tunes, we love music we are very happy to share with you these limited vinyls releases

next up in the apparel music limited series is loure with a 4 track ep which also includes a remix by saine. the name of this work by the aussie is smooth talk and it contains all the stylistic elements that make the melbournian one of the most talented in the scene at the moment. the ep kicks off with the title track which can be certified as a dancefloor banger with its solid rhythmics and the smooth synths playing along with a hint of acid keeps going with mutual motion which gives a display of what this guy can do in terms of creating spacey deep harmonies, such a groovy way to lower the tones before the remix of the 1st track smooth talk. saine here puts his signature once again with another banging tune crafted on loure sounds, adding his touch with deep percussions, a substantial compact beat with a bass-line that will get you carried away. the closing track is the right decompression after a journey through sounds: rolling snares, vocal samples chasing each other and a happy touch to finish in style.

sudd records make the leap to vinyl with the help of detroit champ gari romalis. abstraxx (linear mix) kicks off the record in a heady fog of undulating pads, the smoke positively drifting out of the speaker cones over a simple, deep-as-you-like drum pattern. dark ryda (sunset mix) gets a little more funk in its rhythm, but the same mellow mood prevails, almost reaching dub techno levels in its atmospheric chord swells. heat (bout that life mix) takes things out of the darkness and into a lighter frame of mind, but romalis is still firmly in the deep end of the deep house pool with this final cut on the record.

the third (& final) instalment of dj deeon s unreleased and archival ep s is here! in the spirit of the previous 2 we ve asked the man to dig into his tapes for those rare and raw cuts that the make the heads salivate! kicking things off in fine style is deeon s take on of let it be house from 1997, included here is a longer, unreleased mix of this absolutely banging near-cover version of mike dunn s perennial chicago classic.

genesa records continues to push newcomers in 2018. this time we have a split ep by the dutch duo phobia and the italian producer blacksun. both projects have released on the label’s digital only series in the past and have proven themselves with bold and effective productions. for this ep, they conjured astonishing tracks that make a must-have release for vinyl djs!

limited vinyl release with cd-copy of the album included.

2018 white vinyl repress incoming!
genosha basic artists, ghost in the machine make their perc trax debut! full picture sleeve perc trax returns to the dance floor after the political firestorm that was perc s bitter music with the debut release on the label from the netherland s ghost in the machine. the perc and therefore perc trax name stems from the word percussion and these three drum-focused tracks sum up the label s name perfectly. rarely appearing away from their own genosha basic imprint this ep hits as hard as anything on perc trax in recent years and along with recent releases from ansome and scalameriya ushers in a new wave of artists and a distinct new chapter in the perc trax story. the holy grill commands the whole of the a-side and charges forward until a reese led breakdown gives you a moment to pause for breath. the b-side contains two percussive workouts that have enough movement and development to them to elevate them above simple drum tools. as b2 track pskdt s locked groove loops endlessly (a first for perc trax), it is clear this ep is a hard-hitting statement of intent from a duo you should be hearing a lot more on perc trax in the near future.

love injection is the latest instalment from glitterbox recordings, the one and only 21st century disco. selected by label boss simon dunmore, the eight-track double 12inch package showcases the finest producers making disco and dancefloor-ready house cuts in the here and now. rapson, reverendos of soul, bb boogie, david harness and sisy ey make up some of the contemporary contingent proving that the disco spirit is alive and well. simon has also included respectful nods to the golden-era voices of gwen guthrie and cece rogers.

sprechen sie rhythm? its time for a new dance. welcome to the wonderful weird of talking drums an unsafe space for poorly executed dance moves, misjudged vibes and narcotic bravery. semi-cosmic, way wonky and oozing grooves, this is music for the fringe class. the party starts with a tripped out tribute to an italian inspiration. c60 lato a sees the crew pluck a couple of killers off a well worn cosmic tape, leave them out in the sun a little too long then stick them back together with an experimental blend of uhu and fufu. springy bass, spangled brass and mangled electronics make for a motherlode of funk, fried just long enough to make the walls melt. bendy.... over on the b-side the crew come through with a little bath-salt boogie, pitched down and loved up for all the slow dancers and romancers out there. strutting like a stoned fox, get serious wraps rubber-limbed bass around propulsive percussion, gets hooky with the horns then slaps you silly with its x-rated synth-smut. pinched from the pound bin and taped over a ch 5 classic, this disco drooler will loosen up even the stickiest floors. freshly dressed and pressed to impress, the drums are talking

beware, discomatin is back. in 2018, the parisian crew of diggers and dj’s originally known for their edits goes official with fully licensed and remastered reissues. for this new adventure, they chose an incredible in-demand french boogie ep from diva, an eighties funk band from bordeaux. diva only released one ep with la nuit, a sentimental, almost poetic boogie banger with great synth, guitar and vocal parts. the track could honestly have been a radio hit in the eighties with some real promotion. today, it’s still time to make it right and it is already an anthem in the french underground disco scene. originally on the b side of the 1985 original release on cactus, la nuit is here available with its two different versions (12inch and 7inch mix) and comes also with prise au piege, a more synth-pop influenced funk track which gave its name to the original release. the band was formed by gabrielle andriampanana, alex louisor and olivier renoir. before diva, these last two already played together in the local new-wave band bolton which was one of the first of the area to use synthetisers. even if they had a small recognition at the time, the original release stood quite underground. thanks to discomatin, its now available to the real connoisseurs and still with the fantastic illustrations of french artist camille de cussac on the back cover.

the pampa, filled with enigmatic lines and geoglyphs known as nazca, gives name to this record label. nazca records was created to collect the music that viracochas (beings of other worlds), shared with the ancient nazca people, known for their love for music, dance and nature. these recordings represent the music that was once played in another time and that will be played again in the future…they are the memories of the future. each vinyl and recording tells a story of the memories from each ceremony that took place in the pampa colorada, from music that was played, and of the figures and lines that the nazcas used to show their gratitude to the viracochas. maybe you’re wondering how its possible or how we were able to capture those recordings in nazca records to then press to vinyl. it has been discovered that if an intelligent or exotic species wanted to connect to others, they would use radio signals as they can travel any distance and require very little energy to send. the logical wave frequency to communicate would be 1420 megahertz, which is the frequency irradiated by the neutral hydrogen, when its atoms interact between each other. based on this info and knowing that hydrogen is the most abundant element in space, and after a lot of tries, in the end we were finally able to make the first contact with the viracochas! this third vinyl contains recordings of the viracocha thodoris triantafillou. a disc, a journey, a history, a contact narrated along 2 tracks and completed by the remix of one of the most famous viracochas remembered love over entropy.

try love was originally recorded by norma jenkins and pitched to motown who passed on the track (this version only survives on acetate). master of the girl group herb bernstein picked up the track and recorded the version you hear on this 45 which for whatever reason failed to make a dent until it was picked up first by the belgian popcorn scene and later the northern scene, demand far outstripped supply and this rare 45 became very expensive. a haunting, odd and beautiful record to this day the members of the sparkles remain a mystery.

following on from the runaway success of le-edits number 1, dimitri eases us into 2018 with style and grace by presenting us with another fine set of reworkings from deep within the vaults. in this era of cheap and nasty bootlegs, badly looped breakdowns and bedroom producers butchering the classics with no soul or quality control it was time for a change, an antidote. le-edits is exactly that, a platform for dimitri to express his appreciation of this most influential musical artform in the best way possible - utilising the master tapes, pressing onto virgin vinyl, taking extra care with the label aesthetics and everything else in-between. what you hold in your hands is a labour of love, a journey! once the needle hits the groove and you re immersed in the music it will all make sense, you will feel the force of the chic in the music!

the iconic 1986 debut album from pet shop boys back as remastered reissue, pressed on 180 gram vinyl.

another brace of bangers from world unknown music, we re all really pleased with how this one turned out. big and fat and disco-ready, mastered by andy blake and lawrie curvepusher via tape. side x theo nasa lstnbrghn world unknown and theo nasa first crossed paths in andres branco s vintage designer clothes emporium, wavey garms. . we re really chuffed to be releasing theo s vinyl debut. its a pounding big room monster inspired by his first experiences of a certain berlin nightclub. theo nasa will be a big deal sometime soon, there s no doubt about that. make sure you get on this now so you can tell all your mates how you have been into him for ages. side y traynor - sunward -can i send you some tracks to listen to? id love to get some feedback from you. not an especially odd request for a dj these days. but it s a very nice surprise when literally every track in an 8 track demo package from someone who has never put any music out before is brilliant. messrs bowley and blake had real trouble deciding which one to choose for traynors debut release and eventually went to sunward. its trippy and shimmering with a ton of pump. trancey but not trance, or maybe it is. the kind of thing that lights up your night in a club and gets played again and again at home or in the car

nanni and francois le roy are both accomplished producers and djs in their own right. together as ruff stuff they make extremely well produced tracks that always have one thing in common – making dancefloors go crazy. after starting their own vinyl-only imprint (ruff stuff music) with four fully sold out releases, we are excited to get four banging disco house heaters that work equally well as dj tools and at a house party.
implementing their knowledge gained as hard-core clubbers throughout the 90s, nanny and francois make tracks that they know will evoke strong reactions from the dance floor. this release is equal parts thumping, driving, peak-time house and bright and beautiful disco bangers with a bit of italo flare! with its beautifully worked afro samples mixed perfectly with techno-infused house drums and hats, “kiss of death” is set to be huge on dancefloors from the clubs in berlin and london to the open fields of dekmantel and dimensions.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.

shadow child debuts on uttu dance trax with 3 hard gheto houz bombs backed with a remix from rotterdam’s legendary geeeman! 3 floor filling originals that take cues from the raw hard hitting sounds that make chicago house so special!

introducing basic vision, a new imprint releasing a vinyl series of rare classics from the legendary back to basics club. selected and compiled by the man who played the first ever record at the club, original resident dj ralph lawson, on this release joined by long term resident tristan da cunha on selection duties. all the tracks are cut to vinyl from the original master recordings and given enough time on high quality vinyl to ensure clean, loud pressings with original artwork by the godfather of punk design - jamie reid. the artwork spans across 4 records, which collected together will make the compete picture

ess o ess (aka chris stoker and jamie blanco) return to not an animal to further indulge in the organic house territories previously mined for the previous releases. the duo have an uncanny nack for deftly balancing the rockier end of disco with the authenticity of early house, and never more so than on -secret place. the original bounces and struts in a pleasingly groove laden hypnotic fashion, while the dub version turns down the guitars and turns up the synthesisers for a more heads-down dance floor excursion. on remix detail kuniyuki takahashi makes his 1st appearance on the label. on the vinyl you ll find an interpretation which can be best be described as pitched-down balearic-techno, which clicks, clacks and folds upon itself, drowning in waves of reverbed drama-drums at a deceptively low tempo. kuniyuki also provides a second remix as a digital exclusive, mildly pulling back on the pomp of the vinyl version, but replacing it with a spacious pathos, complete with backwards guitars that reminiscent of an electronic within without you era beatles. angaphora make their naar debut with their own wildly stirring remix of the lead track, which evokes the golden era of 80s melodic pop music to bewildering success, laden with digitised emotion, singing ebow guitar, and not a kick drum in site.

four 140 bpm bass bangers from the grime wonder boy boylan (who also has some history in drum and bass, releasing for the likes of the legendary bad company) and the grime godfather dj slimzee, co-founder of rinse fm, member of the legendary pay as u go cartel and owner of slimzos recordings, slimzee is a key figure of first generation grime who shot to international underground fame at the turn of the millennium, alongside partners in grime wiley and dizzee rascal. boylan and slimzee make an outstanding production duo and this debut ep is a testament to that, these beats leave a trail of destruction anywhere that they are played around the world, while crossing 140 boundaries and delivering unique bass music with weighty attitude.

as founding member of uran gbg, with a past in cult bands such as lava, and appearing on stage and in studio with some of gothenburg s more prominent acts, makes jerker jarold one of the cornerstones in the city’s psychedelic scene. by the name of vastlanken, jarold is now making his first release as a solo artist on hoga nord rekords.
the music on the tracks autobaba and moebel, is a mixture of dub, ambient and techno where few but tasteful components builds the sound. vastlankens transcendent qualities lies in jarolds ability to limit himself in matter of recording techniques and instrumentation, one synthesiser, one delay pedal and one mobile studio is all he need to make delicate dub.
activate your pineal gland and meditate yourself free from general angst with gothenburg’s last shaman!

2018 will see the ever-influential acid jazz records celebrate thirty years at the forefront of the uk soul jazz scene. with co- founder eddie piller still at the helm the label continues to stride forwards both with new artists whilst also uncovering old classics. following the recent and definitive career spanning compilation anthology: 1972 -1984, acid jazz are pleased to announce details of two further leroy hutson albums, the reputation enhancing hutson and hutson ii will be available for the first time in over twenty years on vinyl.

after a year long break diamond ortiz drops the follow up to his 7inch release on star creature make me wanna. out on sister imprint tugboat editions this features 2 rare boogie interpretations refreshed for 2018 taste buds. some seriously funky grooves from the coolest cat in cali.

his hard-edged beats, insistent tones, and occasional flash of devious humor make deutschmann a natural addition to the mote-evolver roster: his natural versatility and clear-minded futurism result in compelling club tracks and dj nights, and his mote evolver debut ep lost in a loop is no exception to this rule. with just a simple schematic to work with, deutschmann does what the best producers do and enlivens those simple instructions until they give an illusion of greater complexity.

bout time we release another long-player, right? right. seven tracks of straight disco-flecked, hip-hop-laced, mpc-orchestrated pulsating house. house that s speeding down the highway at ninety in the middle of the night, house that s a packed dance floorundulatingin a heavy cloud of fog, house that s fast-forwarded time-lapse video tours through new york, tokyo, paris, london. throw gaspar noé s enter the void in the dvd player, double the playback speed, mute the audio, play vinum over it on repeat, and then some of the above will make sense, come into focus. or maybe it won t, but we know you ll have a hell of a time doing it.

it s always summer somewhere we believe. here s our latest release to make a dull day brighter roy s first ep for all day i dream has continued to create quiet moments of magic for us since last summer. straight out the gate comes -when we were innocent . it s one of those seemingly small tracks on headphones that when played out in the club it sneaks up on your dance floor when the bassline arrives. especially after the main drop. emotive with a tight groove it s a winner! -gutfeelin- has a whimsical mood to it. it s not going to be for everyone that s for sure but for those with an adventurous or more playful spirit it lingers long in the memory. a track constantly discussed on our socials and asked about it s definitely got it s own special vibe. -shadow of truth- walks the tightrope between breakbeat and 4:4. it s emotive journey wraps you in it s arms and gives you a warm hug. falling in love? here s today s soundtrack to accompany that beautiful feeling. closing out the ep is sudden realization . smooth, deep and linear. a warm slice of groovy house. best enjoyed with your eyes closed. we hope you love the ep as much as we do.

betty wright is a 64 year old american soul and r&b singer and songwriter, who rose to fame in the 1970s with hits such as -clean up woman- and -tonight is the night-. like aretha franklin, betty was blessed with a four octave voice range and is adept at using the whistle register. pressing on 180 gram audiophile vinyl.

correspondant welcome berlin duo hinode having established themselves with a string of well received cuts on their own science fiction imprint, they were spotted by chance by label boss jennifer cardini on a recent record-shopping jaunt. with a raw, no-rules sense of machine funk running through everything they create, theyre the perfect match for correspondant and make their label debut with four numerical delights…i lights the analog fire with raw sleaze and off-beat mischief. unkempt and wily, it sets the tone for the entire ep: ii writhes snake-like with its slinky kicks and purring textures, iii slurs with bass groans and shakes with paranoid, alien melodies while iv closes with much more of a tunnelling, sense-blurring experience. total machine harmony, unbounded synthetic creativity, made to mix and wholly outer-planetary… hinode and correspondant are a match made in the stars.

re-issue of the much sought after hotbath edit series from crazy p. hot bath is back with more hot and steamy gems. four edits that take you on a musical journey from funk/foul/disco to even a little touch of pop! this is going to make it to many various dj s boxes and dance floors! last chance to ever get this record, no more will ever be pressed once this stock has gone.

attempt to find a convenient musical pigeon-hole for zapatilla and you ll find him slipping from your grasp and zig-zagging in unexpected yet compelling directions. his transcendent debut ep comprises two ambitious, shapeshifting tracks. initially, opener crumbling down suggests a dance-floor focused blueprint, before its arrangement of percussion and classical instruments come into focus around the 3 minute mark, the result is a steadfastly organic and emotional opus. its sister track thumb piano is a more abstract affair, with its eclectic instrumentation anchored to a palette of synths and electronica. via his world travels and collaborations with numerous artists, zapatilla has accrued a wealth of experience, influences and a stock pile of varied and unusual instruments. it s a varied cv and includes his role as bass player in the acclaimed owiny sigoma band and, along with tom skinner, composing the score for swedish film the real estate a nominee for best film at this year s berlin film festival. this hybrid of influences has resulted in a spine-tingling alchemy that on paper shouldn t work. but zapatilla s natural instinct for melody, innovative arrangements and musical ability, make this one of the most musically adept and intriguing artists set to emerge this year.

mirror trax proudly presents its first release: the esox lucius ep by esox lucius! born in the late 90’s, esox lucius seems to have soaked up his environment quickly. old school flavour transmitted to the depths where esox lucius roams seems to be the recipe for elementary and spaced-out techno. nimbus on the a side is a classic techno track reminiscent of the x-mix days! its soothing melody and driving bass will propel you towards the clouds, cruise-missile style. on the b side, the first track indica is a high-speed techno train. driven by its resonant lead and shifting snares, b1 will definitely leave you as high and disoriented as the name implies. common thread on the b side seems to be a hague-ish influence, as the closing track is a heavy grinding techno track with a hint of electro. b2 will definitely sink your ship so make sure the hoff is around! 300 copies available.

moc’s alek s returns to the mothership with his third full ep, dropping just in time for the label’s third birthday. kicking off the release in style, „consciousness outline“ lays down the groundwork for a solid slice of punchy techno. featuring a minimal array of elements, which aptly intertwine instead of seeing new layers pile up, it’s a gradual build up of a powerful groove. hypercolour & soma records alum roberto clementi takes on remix duties, revamping „consciousness outline“ into a cavernous techno affair. switching the main focus on the percussive leads proves a good venture, as it results into a piece with major dance appeal. „penny drop“ dives in with a spacious loop, which keeps centre stage throughout the entire construction. overall, it’s an airy track, with ample pads and a loose yet gripping melody. „neverending“ rounds off the pack in an atmospherical, upbeat fashion. ascending synth pads make for an uplifting ambiance, all set on a backbone of electrifying percussion.

surely one of the most famous song that franck produced in his entire career.. the combination between him and mandel turner (naturally born in usa) was explosive the day they created this songin avery naive and uncalculated way .it all started from a beat on a mpc with a minimal hook and a bassline.. franck called his long time friend mandel turner to join him in his studio and explained him that the idea was not to do a classic garage song but to make it in a modern way. the result was to work on a strong chorus without verses etc .that we can found on every classic songs. we gived a demo track to appolonia guys wich were in ibiza starting their new residency at dc10 and it has been played the whole summer and all clubbers in ibiza knew this song and became a underground hit when it came out.. franck asked to his close friends (seuil etc..) and producers to give another interpretation of this song because he knew that his friends loved already this song.. so they gave to this song a new life few month later after the success of the original release. today we got ion one wax different versions of this song for different time to be played and different audiences.

german producer silent-one presents an ambient four track release on his own label intimate silence this february. part of the from another mind crew longside obscure shape & shdw and javier ba&#776,,hr, silent-one (real name benedikt merkl) launched intimate silence as a platform for ambient music in 2016. since then the label has hosted artists like ressort imprint regular g&#322,,o&#769,,s, taapion records co-founder pvnv and arsenik records’ dold, however this release sees the label founder make his very own debut. fuzzy atmospherics and chilling chord sequences set the tone for the ominous ‘human border’ before ghostly synths and twinkling melodies work together to form ‘decide your fate’. on the flip, mesmerising arpeggios meander within an echoing setting in ‘sign of anxiety’ until the murky ‘lost souls’ pairs dusky elements with a spoken word sample to create a sci-fi aesthetic to conclude the release.

the mysterious trancemaster smashes into orbit, obliterating our blue earth’s crust and pumping trance euphoria into our gravitational pull. no one escapes unfazed. 4 tracks of trance so deep it will make you weep.

greta cottage new boy duccio lp jumps into the fray. flipping a girthy cut & bringing together a pack of melody heavy boompty tech house arse wobblers. proceedings begin with late night swing - a delicately laced flutey chugging acid pumper ... chunky for those big rig nights. proggy as you like hypeway follows the beauty of spaceways, twinkly and fuzzy like the morning after. sambao brings solid mid west rave gear to mind.. prepped for a wig top knock off the old block. it sounds extatic in jediland, can t feel me legs - go and make some friends in the toilets, then stagger back to the fray…

every tune of the 12- is deeply inspired by the origins of the mid 90s melodic jungle & d n b movement, namely by the greats of that era: peshay, source direct, ltj bukem and photek. ray & karl have worked together on a number of projects over the last year, the most recent one being a split 12- on the other planet of lyon. while ray has been connected to the lo-fi house scene and acts like baltra, dj boring and dj seinfeld, karl has been more low-key, producing music that s relaxed and organic, mainly inspired by naature and the musical movement around frits wentink and max graef. for this release they worked closely together, decided to stray off their usual paths and combined their different styles to form a well-rounded record.

for the first release of 2018 we welcome harry wolfman to the outplay family! having followed his work for the last couple of years we re very happy to have him deliver this varied 4-tracker, which very well might be some of his best work to date. the a side starts off with hitch . a warm and dusty groover driven by rhodes, a rubbery bassline and a thudding kick. a lovely string piece in the middle of the track slowly builds up to the break for it to return to the head nodding groove soon after. the added percussion gives it a nice lively feel as well. pigs in blankets sets the pace a little slower, but the funk goes on. the track incorporates 80s style samples with some excellent synth and chord work. perfect for a warm up session. starting on the b side harry takes it up a notch with nemoto , which will be a definite stomper for the dance floor. it takes you on a 9 minute journey of rolling bumpy basslines, screaming distortion leads and hypnotising synth work. finally, to ease things off, sts-136 (final call) comes in at a slow 88 bpm pace as a perfect closure to the ep. dreamy pads, piano licks and a calming marimba melody combined with a beat which feels like a warm blanket will make you wander off for a moment

new zealand s most prolific j-tek enthusiast dan silk aka worldwide epidemic returns to the myor camp, this time for a solo release on the diamond life sublabel. on “aroha” he finds himself exploring territory slightly removed from his usual 4x4 jungle techno habitat. extended pads, techy synth stabs, sugar coated diva vocals and spot of amen choppage courtesy of label boss coco bryce make for a top notch 7 minute atmospheric d&b junglist excursion. “enterprise” offers everything one might have come to expect from mr. silk: his signature offbeat break programming layered with a 4x4 kick drum, instantly recognizable synth melodies and a healthy dose of pads. hardcore in its most gentle form.

five cuts inspired by research & destroy s text of the same name, which circulated in the midst of a walk-out at the university of california in 2009, and underlined a crisis of autonomy in higher education. the label founder s second solo release on brenda attempts to depict this anxiety, waste and make-believe.

syncrophone is pleased to welcome shuffles to the family! shuffless is a technohouse-duo hailing from the forests of middle-finland. their musical inspiration comes from the sounds of legendary techno and house cities, but in production they mix it with a finnish twist. they make their music with a selection of hardware gear, and record the tracks live in the night to get the feeling right.here is one of the two ep scheduled for the early 2018.